Peter Barnes Harpsichords.

Welcome to my Website and listing of Keyboard Instruments.

Established 1990 and running on 100% renewable electricity since 2007!

Flemish Harpsichord after Albertus Delin c.1750, by Oliver Moor, 2000.

This versatile harpsichord has 2 x 8' stops with buff, GG-e3 compass and is transposing 415/440 with the full compass, and 465 with the loss of the top note. It is strung in Rose Iron and Brass, with Delrin plectra and wooden jacks and registers. It is in full playing condition and is a very useful instrument for concert hiring and professional use.
 
Decorated with traditional soundboard painting after Ruckers, printed case papers and red case paintwork in good condition. 

The case is 215cm long, 91cm wide and 28cm deep.
The stand takes apart into three sections for ease of transport. 

This lovely harpsichord can now be seen in my Somerset Showroom! 

The asking price is £6,400.
New for 2020!
Small Flemish, Double Manual Harpsichord by Sassmann, c.1980

Measuring only 200cm long x 80cm wide x 27cm high with a cheek which is 68cm long, this harpsichord is on a turned stand which is 62cm high.

2 x 8' and 4' stops with buff on upper manual 8'. 

BB-d3 compass, transposing a=415/440, with full compass in both transpositions.

Blue casework with gold mouldings and red interior in good condition but showing some blemishes.
Ebony naturals and bone capped accidentals and wooden jacks and guides.

This harpsichord comes supplied with tuning key and a stout canvas cover. The stand can be separated into three, flat sections for easy transport.

This harpsichord is in excellent playing condition and can be seen at various concert venues in February and March with the Armonico Consort:
Poole, 31st January,
Malvern, 8th February,
Yeovil, 11th February,
Cardiff, 6th March.
It is also at concerts in Oxford on 23rd February and Portsmouth on 21st March.
As you can see from this list, it is an excellent little hiring instrument. It has a good, full sound!
It is available from 22nd March 2020.

The asking price is £6,800.
New on 22nd January 2020
Colin Booth Italian Double Manual Harpsichord after Migliai 2008.

Italian harpsichord with 2 x 8' on lower manual and 4' on upper manual. This disposition is traditional and derives from the practice of placing an octave instrument on a larger, 8' pitch harpsichord. These instruments sometimes had coupling devices, and there is a coupler on this instrument in the form of a dogleg on the 4' jacks and a sliding lower manual. There are stop levers for both 8' stops.

The compass is GG/BB short octave to c3 and transposes a=415, 440 and 465.

The bridges and nut are Walnut,the jacks and registers are wooden with a Spruce soundboard in a  Cedar case which measures 226cm long, 81cm wide and 26cm high. The cheek is 59cm long.

The red, painted stand is 228cm long, 83cm wide and  64cm high and has seven turned legs and feet, which can we separated for packing flat. 

This instrument is in showroom condition and has had very little use. The asking price is £16,400.

Harpsichord after Migliai by Colin Booth 2008.

This is what Colin Booth says about this harpsichord:

Two decades ago, while on a visit to the Germanisches National Museum in Nuremberg, I fell for the 2-manual Italian harpsichord in their collection. At the time the maker was unknown, but Denzil Wraight has since found evidence that it is by the leading 17th century Italian maker Migliai.

This original harpsichord is a light-weight ‘inner’ instrument, housed in an outer case. It has the normal small compass of only C/E short octave to c3, but demonstrates the common interest through Europe in the later 17th century, of either placing a small instrument on top of a large one at normal pitch, or actually building the octave facility into the instrument, using a second keyboard.

This tradition died out after 1700, but even without the presence of a manual coupler, it gives the player a far more interesting variety of timbre than one might expect: it can be found in Italy, France, and in the Netherlands, where the ‘mother and child’ virginal was quite common.

Italian harpsichords had from the start been at the heart of my harpsichord-making, and I quickly decided to build a close copy of the Nuremberg instrument. I incorporated a coupler, and the resulting varieties of tone were even more startling. These are exploited on two CDs:

Frescobaldi- keyboard music SBCD201, and Peter Philips, the English Exile SBCD992.

The sonority was deep and majestic when more than one register was employed, and beautiful and intimate on solo stops. The unique elegance of the instrument was itself highly satisfying.

In 2008, following the sale of the copy, I produced an enlarged version. The compass was extended to the common later 17th century GG/BB short octave to c3, and the keyboards transposed to give A415 / A440 / and A466. (If preferred, the pitch can be lowered by a semitone, to offer A392 instead of the high pitch A466). A lightweight lid system proved adequate as protection, and a full dismantleable table stand seemed justified by the splendid character of this instrument. The nobiliity of tone which was a feature of the copy, was more than equalled in this larger version.

I have recently ended my harpsichord-making, and no longer have a spacious workshop in which to house instruments which are not in immediate use. Hence the need to reluctantly part with what was part of my ‘core collection’. The harpsichord has only rarely been used for concerts, and is in almost entirely perfect and unmarked condition. It is mature, but plectra and strings are almost new.

Italian Harpsichord by Colin Booth, 2018.

This stunning harpsichord is new, and has only been used once - for a hiring with 'The Orchestra of the Age of Enlightenment'.
Brass Strung, 2 x 8' stops with GG-d3 compass which is transposing 415/440, and to 466 with loss of the top note.
The case measures 218cm long, 86cm wide and 20cm deep and the stand can be taken apart so that it can be laid flat on the instrument for transport. There is a padded cover for the harpsichord and the turned legs.
The case is decorated with marbled paintwork and there is a very decorative rose.

The asking price for this instrument is £11,500.


French Bentside Spinet by William Groom 1986.
This spinet has fine wooden jacks, registers and keyboard with Bone and Ebony key facings. 
The compass is GG-e3, with iron and brass strings tunable to A=440 or 415. 
It has a solid, turned oak stand, music desk and casework veneered in Maple. 
The case is 180cm long, 68cm deep at the widest point and 27cm high. The stand is 62cm high.
This spinet is in good playing order, but there is some sun damage to the external veneer. 

The asking price is £2,500.
Bentside Spinet by John Storrs, c.1980.

This spinet has an FF-f3, five octave compass and is strung in iron and brass wire. It cam be tuned to a=415 or 440.
 
The case, music desk and stand are in good condition and are made from solid, waxed poplar, making the instrument very light to carry about. 
The stand is screwed to the case and can be taken apart into three, flat sections for transport.

The spinet is 174cm long, 66cm wide at the widest point, (the back to the treble end of the keyboard,) and 17cm high. The stand is 65cm high.

In good playing condition. £2,200.


Pipe Organ for sale: 

This is a three-rank extension organ built by R. Wood in Huddersfield in 2004. Dimensions are 9 feet 3 inches high ( to the top of the tallest pipe ) 8.4 ft 4'2" deep and 5' wide. It has a radiating / concave pedal board. It is understood that the tallest two pipes could be mitred so that the organ would be reduced in height to about 8 feet high.

Ped: Bourdon 16, Bass flute 8, Octave 4
Man I: Gedackt 8, Principal 4, Wald flute 4, Mixture II
Man II: Gedackt 8, Flute 4, Nazard 2 2/3, Octave 2
3 couplers, electric action

We are looking £8,500 for this very special instrument and beautifully made instrument.

Virginals by Mark Stevenson, 1972, after Ruckers 1598 and 1611.

These virginals are in good playing and decorative order and decorated in dark green with marbled papers. The compass is C-e3 with iron and brass strings. They are currently tuned to A=440 but can also be tuned to A=415. The lid and fall board have removable hinge pins. They sit on a turned beech stand based on the paintings of Vermeere. 

The Virginals are 170cm long, 65cm wide and 22cm high. The stand is 66cm high and has been made in one unit. There is a lightweight cover included with this instrument.

Now sold for £2,200.

Single Manual Harpsichord after Donzelague by Douglas Hollick 1990.

This harpsichord has blue paintwork, with gold bands and a cream interior and is in very good condition. Owned by a professional musician and recently serviced by Douglas Hollick, this instrument has two 8' stops with a buff. 
The compass is five octaves, FF-f3 which transposes A=440/415(with the loss of the top note at A=440).It has traditional, wooden jacks and registers, pearwood bridge and nut, a decorated soundboard and is strung in brass and iron wire.
The harpsichord is 228cm long, 94cm wide and 30cm high and sits on a stand that is 65cm high. This stand takes apart into three sections for transport.

Now sold for £7,500.
Clavichord after Anon c.1740 by 

Double-fretted clavichord C-e3 with solid Maple case, lid and stand. In good playing condition. Now sold.

Clavichord by John Storrs.

Un-fretted Clavichord with 4 1/4 octave, C-e3 compass. Double strung throughout with new brass wire. The action has been reworked and adjusted by Peter Barnes, Nov 2019. Light and portable and in full playing order complete with stand.

For sale £950.
Clavichord by John Morley.
Five octave clavichord, tuned and in full playing order. Rests on four turned legs. Can be seen with owner in Bath, Somerset. For sale: £750.

English Harpsichord after Thomas Barton by Peter Barnes 2019.

This harpsichord, made by Peter Barnes in 2019, is in the English tradition and is based on the c.1715 bentside spinet by Keene and Brackley and the 1709 harpsichord by Thomas Barton. It has traditional wooden jacks, guides and keyboard, a detachable lid with solid decorative brass-work and a folding music desk. The inside of the case and the nameboard are made from Cedar wood, with cross-banded walnut capping. 

The harpsichord is strung with Malcolm Rose Iron and brass wire, it has 2x8’ stops and a walnut case and stand. The GG - f3 compass transposes A440 / 415 without loss of top or bottom notes. 

The stand detaches from the harpsichord and can be easily taken apart for transport. This harpsichord is 193cm long, 88cm wide and 21cm deep. It has a soundboard painting by Jennifer Douglas which is closely based on the Coston Harpsichord from the Edinburgh University Collection.

Sold, but available to commission for £9,800, or £8,300 without the soundboard decoration.

Click below for bigger images.


English Harpsichord 2019.mp3

 Part-made Bentside spinet.

This spinet kit is made in American Walnut with Cedar wood marquetry nameboard and cross banded capping. It is a close copy of an original spinet made by Keene and Brackley in c.1715. (Please see my page keene-and-brackley-spinet-c1715.php for photographs of the original instrument.) 

It can be tuned to A=415/440 and could probably be made into a transposing instrument.

The case measures 180cm x 65cm x 19cm (70" x 25" x 8") and the stand is 65cm  (25 1/2") high and can be easily taken apart into three pieces for transport. The instrument weighs about 25kg.

The photographs below show the kit parts and a spinet made from the same set of parts by myself in 2002. The kit dates from around this time and was made by the Renaissance Workshop Company in Bradford, Yorkshire. It is complete except for hinges and strings. Now sold.
Photograph of spinet made from the same parts:
Photographs of all parts of spinet, showing part made case and part made keyboard:
Details of a finished spinet made from the same parts:
Spinet by John Storrs.

A conveniently small spinet in full working order, suitable for a small Early Music ensemble. C-f3 compass which can be tuned to a=415/440. 
The light, Poplar case measures 116cm long, 61cm at the widest point and 17cm deep. the stand takes apart for transportation. (A previous customer took one of these popular spinets home with her on the train!) 

Sold for £1,150.
Michael Johnson FLEMISH SINGLE MANUAL HARPSICHORD  R33  c.2016

This instrument is closely based to the scaling and plucking points taken from the 1637 Andreas Ruckers in the Germanisches Nationalmuseum, Nuremberg, (Inv. No. MIR 1073) that instrument was chosen because it is one of the few Ruckers harpsichords that survive almost unaltered. 

However the compass has been extended from the original C/E-c3 to GG-d3 chromatic.    To keep as close as possible to original case dimensions a narrower octave span of 161mm has been used, similar to that of the French makers Taskin and Blanchet.  

This instrument has also a second rank of 8ft jacks plucking the single 8ft choir set behind the 4ft choir.    It gives the facility to work the same string together with the front 8ft jacks.This gives a two 8ft sound that is in many ways preferable to the conventional one using two choirs of strings.
  
Keyboard shafts are made from poplar and the naturals are covered with casein ivory; the accidentals are made from ebony.    Beech is used for the jack blanks and traditional holly for the tongues with peek escapement springs. 

The instrument is voiced with acetyl plectra and is strung to work at A415 with p-wire iron and (Historic Music Wire) brass and red-brass for the bass strings.  

The keyboard will transpose in both directions to give A392 and A440, however there is a loss of the endnote in whichever direction the keyboard is transposed.


The asking price is £18,950 for this instrument complete with stool, spare strings, plectrum and tuning key.    And a Vogel fitted transport cover.


Here is a summary of instruments for sale:


Double Manual by Sassmann £6,800.


Single Manual Harpsichord after Delin £6,400.


Italian Harpsichord by Colin Booth, 2018. £11,500.


Bentside Spinet by William Groom. £2,500.


Organ by R Wood. £12,000 reduced to £8,500.


Coming shortly:


An Italian Double by Colin Booth!


Available to commission:


Peter Barnes, English Harpsichord after Thomas Barton.

Iron stringing with 2 x 8' stops, Walnut case and stand. Soundboard painting by Jennifer Douglas. Transposing 415/440 GG-f3. Available to commission for £8,300 without soundboard decoration or £9,800 with soundboard decoration.


Finished when I have time:


Single Manual Flemish Harpsichord after Delin. 


In process of construction, a single manual Flemish harpsichord, light and of good proportions.

2 x 8' stops, GG-e3 Transposing 415/440.

The case measures 210cm long, 88cm wide and 26cm high.

Price including soundboard decoration, £10,300.


Available now:


Double Basses by Peter Barnes 2016 and 2018.


Double Basses after Domenico Montagana c. 1750, for sale. (See Double Bass page for details double-bass.php )


Used instruments:


Bentside spinet by Peter Barnes 2002.


Choice of two Michael Johnson Single Manual Harpsichords. See Above.



110 unused David Bolton white jacks and tongues £120.


 

Good quality Keyboard instruments wanted. I am happy to sell your instrument on commission.



You can contact me by phone on 01373 831498 or (+44)7733619002, or by email peterbarnes850@btinternet.com or via this page: contact-us-and-instrument-transport-links.php





Now being made: 


Single Manual Flemish Harpsichord 

after Delin. (Similar to photos on right and below)


Traditional soundboard painting by Jennifer Douglas, printed papers and marbled case decoration. 


2 x 8' stops plus buff. The compass is GG-f3 and the keyboard transposes 415/440. 


Complete with soundboard decoration £10,300.


Double Bass after Domenico Montagana c. 1750.
Baroque neck angle suitable for traditional gut strings.
made by Peter Barnes in 2016, 
Under offer £900.
More details on my Double Bass page: double-bass.php
Double Bass after Domenico Montagana c. 1750, 
made by Peter Barnes in 2018, Maple neck, sides and back, Sitka Spruce table and ebony fingerboard, for sale £2,100.